Tuesday 28 August 2018

Camcorders: An unplanned change from Sony FDR-AX53 to Panasonic HC-VXF1

After using my Sony AX33 for several years in the wild, I was frustrated by the limited focal length compared with the later model, the AX53. After putting off a decision in the expectation that Sony would soon replace the AX53 (first on sale in 2016) I finally bought, from Amazon, the AX53 in May, a few weeks before a long trip. I was very pleased, as with the AX33, with the video quality. However, the longer maximum focal length came with what seemed to be more movement of the optical stabilisation system (BOSS) before settling down and a difference in the way the autofocus seemed to operate. Objects in the centre of the viewfinder only a little darker than the surroundings were sometimes ignored while higher contrast objects in the background were brought into focus; this was particularly evident in low light, but not exclusively so. The old annoyance of the electronic viewfinder in the AX33 was still there—no control over brightness. However, no camera is perfect for every job thrown at it and it did a very good job in terms of quality of output, on land, sea and air.

A fellow traveller had a new Panasonic camcorder (VXF1) and asked me to take some footage with her in it. The controls were virtually identical but I was impressed by the ergonomics of the viewfinder display, the speed and accuracy of autofocus and the stabilisation. Overall, I liked its handling a little more than my Sony.

After I had edited and stored the footage, I was clearing the cards when suddenly the Sony failed to start up. A camcorder logo appeared on the screen and I could hear the  sound of a motor near the front but then nothing. I did all the usual checks (battery out for half an hour, tried the mains adapter etc) but still nothing. The camcorder was dead—an ex-camcorder. Having struggled to find what to do with a broken-down Sony camcorder still within warranty, I decided to contact Amazon support. After a quick web-chat, the excellent assistant realised that it was a hardware failure and within minutes had sent me labels for it to be picked up by courier the next day for a full refund (it was outside the period for a normal return). The offending AX53 was soon back in its box and on its way.

Thinking back this was my second camcorder to die. The first was an early 1990s Sony Hi8. With that one I was lucky. I had just used it to play the last of my stored Hi8 video tapes onto a dvd, I think it was, via a PC, when it too refused to start. That was in the days when there were were magazines dedicated to camcorders and pages and pages dealing with the then common hardware failures.

How was I going to replace the Sony AX53; like-for-like or go for something different? Remembering the Panasonic VXF1, I started to look up reviews. However, I found surprisingly few. Camcorders are completely out of favour to capture video and new models do not get the coverage they once had. Nevertheless, the few reviews that have been written or shown on YouTube did prefer the newer VXF1 over the Sony AX53. I was also rather reluctant to trust another AX53; once bitten twice shy.

I should explain again that I prefer a camcorder with a small sensor. Unlike a film maker seeking narrow depth-of-field, I need a wider depth of field for wildlife that is often being filmed at maximum range and maximum aperture, and is often surrounded by vegetation. Much as I would like to carry a camera/camcorder with a larger sensor as well, for those other shots, there is only so much my back will carry. Better to get a small bird in focus, even if some of the background is also sharp, than get a fuzzy bird, is my motto. I should also explain that I prefer the ergonomics of a camcorder to that of a stills/video camera. I find I can hold a camcorder still for longer using one hand and arm locked into position than I can a conventional slr-style or ‘compact’ camera. I also do not have to think about using an external microphone since the for most of my purposes the built-in microphones for ambient sound are fine.

I decided to go with the 2018 Panasonic VXF1 rather than the 2016 Sony AX53 again, even though I had to re-equip with spare batteries and it was more expensive. I have done some trials. Video (4K) is excellent. The lens seems a little better especially the edge definition. I checked that the sharp video is not the result of oversharpening. Focus seems faster. The stabilisation system does not go wandering off all by itself. The viewfinder is better. The menu system is far superior to the Sony. There are programmable function buttons. The viewfinder is supplied with a rubber hood. The level indicator works well. It has infrared night vision (which I sometimes use and which once differentiated Sony from the competition). I was also surprised by the build quality. In my long line of camcorders starting with Hi8, I have had one previous Panasonic; the build quality of that was not impressive. My overall impression is that it is as if Pansonic looked at all the annoying features of the Sony and tried to come up with something better, even if a little more expensive.


Of course there are features I would like that aren’t there (a log profile video option, 50(60) fps 4K, GPS); but, my verdict on the Panasonic VXF1: so far so good.

Out goes the failed Sony AX53
In comes the Panasonic VXF1


4 comments:

  1. Thx bro,for shared with us your impressions. I will buy the same Panasonic

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  2. Thanks for this - very valuable!

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  3. Is it still your camcorder? The Panasonic? Im just trying to decide which of those two to choose! Any hints? My filming will be mostly sports.

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  4. No. I now do not now have a camcorder. No new models and had a very bad experience with a Sony just out of guarantee and a Canon which took too long to turn on. Now have Sony RX10iv for video plus iphone.

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